, Shakespeare 's All's Well that Ends Well -113 j artifice and distorted perspectives strangely epitomises the processes of condensation, displacement and secondary elaboration of (traumatic) material discovered by Freud in his approach to the comic
, , 1984.
L'Effet trompe-l'oeil dans /'art et la psychanalyse (Paris: Dunod, coll, 1988. ,
, , 1988.
Jokes and their Relation to the Unconscious, vol.6, 1905. ,
Art and Literature, vol.14, pp.427-460, 1927. ,
The Turn of the Screw, vol.1898, 1962. ,
All's Well That Ends Well, 1983. ,
, , 1934.