I. Almond, Absorbed into the Other: A Neoplatonic Reading of the Birthday Party?, Literature and Theology, vol.14, issue.2, pp.174-88, 2000.

S. Beckett and . Endgame, Waiting for Godot, The Happy Days, vol.1958, 1961.

I. Berensmeyer, Twofold Vibration: Samuel Beckett's Law's of Form?, Poetics Today, vol.25, issue.3, pp.465-95, 2004.

H. Bloom, The Invention of the Human, 1998.

A. Chekhov, The Three Sisters, The Sea Gull. Trans. Stephen Mulrine, vol.1971, 1997.

R. N. Coe and . Beckett, , 1964.

F. F. Cornwell, Samuel Beckett: The Flight from Self, pp.41-51, 1973.

E. Durbach, . Ibsen, . Beckett, M. Uncertainty?, and . Drama, , vol.49, pp.396-401, 2006.

E. Durbach, Ibsen The Romantic, 1982.

R. Ghosh, Reconfiguring the Waiting for Godot: Explorations Within Some Paradigms of Hindu Philosophy?, Samuel Beckett Today, vol.15, pp.307-328, 2004.

R. Gilman, Chekhov's Plays, An Opening into Eternity, 1995.

S. Greenblatt, Renaissance Self-fashioning, 1980.

H. Ibsen, . Brand, . Trans, and . Charles-harold-herford, Peer Gynt. Trans. Christopher Fry, vol.1906, 2007.

E. Jacobs, Henrik Ibsen and the Doctrine of Self-realization, ? Journal of English and Germanic Studies, 1939.

F. L. Lucas, . Chekhov, Y. Synge, and P. , , 1963.

, The Birth of Tragedy, vol.------------------------------. Dr. Faustus, 1967.

J. Northam, Waiting for Prospero?, English Drama: Forms and Development: Essays in Honour of Muriel Bradbrook, R. Williams, 1977.

M. N. Rao, The Self-Commenting Drama of our Time?, pp.215-241, 1984.

A. Rayner, To Act, to Do, to Perform, 1994.

M. Robinson, The Long Sonata of the Dead, 1969.

, Bantam Books, Shakespearian Theme and Motif in Chekhov's work?, vol.--------------------------, 1995.

W. L. Stull and . Marlowe, s Adlerian Tragedies,? Soundings: an Interdisciplinary Journal, vol.52, pp.443-64, 1990.