From Sacred Cows to Raging Bulls: India’s paradoxical role in the birth of a national “indigenous” Sinhala cinema in Sri Lanka (1900-1960)
Abstract
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Nicolas Alarcon : Connect in order to contact the contributor
https://hal.univ-reunion.fr/hal-01170785
Submitted on : Thursday, July 2, 2015-12:30:09 PM
Last modification on : Tuesday, October 19, 2021-5:56:14 PM